Artist Statement and Process

Along the Path
My current body of work has the overall themes of connection to past, connection to nature and the multi-faceted theme of legacy.  Each has a personal link to my life and concerns I have for my future.
            The connection to past is the theme that has the most direct relationship to me. The choice to select rocks comes directly from my childhood.  When I was younger I would collect souvenirs or, as I refer to them now, mementos of places I had been and significant moments in my life. I felt that it kept me connected to those moments and memories.  I also felt that by having them together in a bag or in a pile I had the story of my life before me. After all, I could pick up a rock and remember camping in the woods, visiting family, graduating high school, taking a walk after a break up, saying goodbye to a pet, watching a severe storm from my porch, etc. Each rock was a moment I stopped and made the choice to manifest my memories in an object.
            As a person who grew up in predominately in the city, I have always relished those moments I got to escape from people and buildings. I looked forward to camp or long hikes alone in my grandparents the woods. I am most at peace when surrounded by nothing more than plants and animals.  Rocks are made, broken down, and shaped in nature. So by collecting rocks as mementos I am not only connecting myself to them but also using them as lifelines to nature. I chose rocks as subjects, not only because I collect them, but because of their long life spans. They won’t decay in a week or year like leaves or sticks. Rocks, like nature itself, survive.
One definition of legacy is “anything handed down from the past, as from an ancestor or predecessor.” This theme has been a focus of my work that I have been struggling to effectively depict it for quite some time.
 I am always conscious of the impact my life will have on the future, what memories or moments define me, what shape the world will take while I am alive and after I have passed. My rock series embodies these concerns. Each rock is a legacy of its previous form; part of a larger whole that was changed by time, elements, or unforeseen events.  Similarly, each rock’s present character will change. Each rock affects its surroundings. A simple stone may cause someone to trip and be injured; help hold up a highway; slide and start an avalanche; cause ripples in the water.
 I look at these rocks, and at my current body of work, wondering “which stone will survive the test of time? Which painting will be my legacy?”  I have saved these pieces of rock as mementos of moments that shaped who I am today.  In making each choice, have I influenced my own legacy? Will I change the future of those who come after me?  With this revelation I see both answers to my concerns and a new future of my work developing. Not a series of just rocks, paintings, drawings or still life  but rather a series of legacies embracing the concerns of childhood and nature.





Process
I begin the process of making these pieces by first doing several sketches. Each sketch concerns its self with a different aspect of the work. They might consist of value studies, composition sketches, specific rock studies, or working out several thumbnail ideas of a working title (example: nine different sketches of the title Written in Stone).
After that I select the best rocks that fit my idea, composition, or title based on my sketches. Then I begin placing them and setting up controlled lighting so I have control over as many variables as possible. Sometimes I will do a pre-sketch in my book before actually using the canvas or board. Other times I will do a couple quick sketches on my medium before diving into the painting or drawing itself. By going through this entire process not only do I arrive, most times, at a pleasing finished piece but each stage contributes to the final piece.

Hence each piece becomes a micro-example of the entire body of work. Each step equals my memories or moments, each stage builds to the current work and each work is the legacy of the final process. Therefore in the body of work each finished product is a moment in the body of work’s life. When the viewer sees the body of work in a gallery, they can see how each failure, triumph, and piece has affected the next and led to the complete picture. 

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